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Thirteen-year-old Conor O’Malley isn’t having an easy time. When he’s asleep, he has nightmares. When he’s at school, he’s bullied. And at home, he watches his mother grow weaker every day as her cancer and treatments vie for control of her body. His grandmother, whom he detests, is talking about him moving in with her, while his father keeps him at a safe distance from his new family. So when the giant yew tree in the graveyard behind Conor’s house twists itself into a monster and comes looking for him, it seems like just one more thing to deal with; until it demands from him the one thing too terrifying to face – the truth. This is a dense, complex and multilayered book that constantly challenges the reader‘s intellect, morality and sense of reality. The monster, in classic fairy tale fashion, promises to visit Conor three times before returning to extract his due. Early on, the reader shares Conor’s confusion as he struggles to determine whether the monster’s visit was real or merely another dream. The author boldly strews ambiguity throughout the book like the yew needles scattered across Conor’s bedroom floor the morning after the first visitation. Each time the monster comes walking he tells Conor a story, ingenious tales with surprise endings and twists that defy prediction, giving the reader the sense of a rug pulled out from under them. The stories, deceptively simplistic, resemble Conor’s life, where nothing makes sense and nothing is fair. The reader’s understanding of the monster as internal or external, real or imagined, enemy or ally, changes dramatically as the story progresses. This is a book to ponder, to linger over, perhaps even to argue with. Conor, his family and their circumstances are fully fleshed out and believable. Ness brilliantly succeeds at the task of having the reader fill in the spaces in the narrative with their own emotions rather than simply telling us what his character feels. Pain, panic, fury and guilt are explored in this story where the only ray of light is the love between a mother and her son that is about to be extinguished on one end. The amount of personal growth Conor achieves in a short space of time is staggering, moving through the stages of grief compounded by youthful dependence and the everyday cruelties of high school and broken families. When he gathers his courage at the end of the book, it is with a new, hard-won maturity that gives us hope for his future. “A Monster Calls” is stunningly illustrated in black-and-white by Jim Kay, adding immensely to the tone of the book. The extensive decorations and pictures, some appearing as negatives with transposed colours, are surreal and nightmarish. Leaving this volume lying about the house would prove irresistible for a teen. In addition to its striking physical appearance the original storyline, powerful drama and conflict will appeal to readers, while many teens will identify with Conor’s struggles with bullying and his step-family, his fight for acceptance, and capacity for conflicting feelings. This book’s message that actions are more important than words or thoughts is both reassuring and a call to arms for readers of all ages.