A Moveable FeastBook - 1996
"You belong to me and all Paris belongs to me and I belong to this notebook and this pencil."
A correspondent for the Toronto Star, Hemingway arrived in Paris in 1921, three years after the trauma of the Great War and at the beginning of the transformation of Europe's cultural landscape: Braque and Picasso were experimenting with cubist forms; James Joyce, long living in self-imposed exile from his native Dublin, had just completed Ulysses; Gertude Stein held court at 27 rue de Fleurus, and deemed young Ernest a member of rue g#65533;n#65533;ration perdue; and T. S. Eliot was a bank clerk in London. It was during these years that the as-of-yet unpublished young writer gathered the material for his first novel, The Sun Also Rises, and the subsequent masterpieces that followed.
Among these small, reflective sketches are unforgettable encounters with the members of Hemingway's slightly rag-tag circle of artists and writers, some also fated to achieve fame and glory, others to fall into obscurity. Here, too, is an evocation of the Paris that Hemingway knew as a young man -- a map drawn in his distinct prose of the streets and caf#65533;s and bookshops that comprised the city in which he, as a young writer, sometimes struggling against the cold and hunger of near poverty, honed the skills of his craft.
A Moveable Feast is at once an elegy to the remarkable group of expatriates that gathered in Paris during the twenties and a testament to the risks and rewards of the writerly life.
From Library Staff
Published posthumously in 1964, "A Moveable Feast" remains one of Hemingway's most beloved works. It is his classic memoir of Paris in the 1920s, filled with irreverent portraits of other expatriate luminaries and insightful recollections of his own early experiments with his craft.
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Not one of Hemingway's best works but the stories dovetail nicely with The Paris Wife. The Paris Wife is a lovely book about Hemingway's tumultuous relationship with his first wife Hadley. These stories re-iterate and expand the details and Ernest's thoughts during that time of his life.
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"There is never any ending to Paris and the memory of each person who has lived in it differs from that of any other. We always returned to it no matter who we were or how it was changed or with what difficulties, or ease, it could be reached. Paris was always worth it and you received return for whatever you brought to it. But this is how Paris was in the early days when we were very poor and very happy."
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